BASIC PLOT
In the very far future, humans and Chelonians are engaged in a war that isn't, because someone has created a very complex plan. And, outside of that, someone else has created a very complex plan. And, outside of that - would you credit? - someone else has created a very complex plan. What a coincidence.
DOCTOR
Fourth.
COMPANIONS
Romana II and K9 Mark II.
MATERIALISATION CIRCUIT
Pg 26 On Barclow.
PREPARATORY READING
The Romance of Crime is helpful but not essential.
CONTINUITY REFERENCES
Pg 9 "He can't delay the election much longer." The Well-Mannered War was published in the same year that Tony Blair won the UK general election against John Major and was thus quite topical.
Pg 16 "Romana looked down at her new outfit. She had chosen a red velvet smoking jacket and a frilled shirt with a bow tie, which she had found discarded on a hanger in the wardrobe room." Romana is dressed as the third Doctor. See also Continuity Cock-Ups.
Pg 21 "The central column was rising and falling noisily but smoothly enough." The Doctor notes that the column is being more noisy than usual in Logopolis.
Pg 25 "We don't want you regenerating again, do we?" Destiny of the Daleks (in which Romana regenerated for no reason) and Time and the Rani (in which the Doctor regenerated because the console room, as on this occasion, took a bit of a buffeting; thus, for no reason).
Pgs 25-26 "Right at the end of the Humanian era. After the destruction of Earth" The Telemovie gives us the former. The Ark and The End of the World give us the latter.
Pg 26 "'Not a word to the High Council when you get back to Gallifrey.' Romana bristled. 'Who said anything about going back?'" She gets the call to do so in Meglos.
Pg 63 Viddeas is attacked and consumed by a photocopier. This is remarkably similar to something that Russell T Davies would write; think Adipose. No wonder he hired Roberts.
Pg 82 "The lettering was angular and jagged, the notation reminding him of trips to the Orient on Earth" Marco Polo and probably others.
Pg 87 "Remote Tellurian colony, sited in the Fostrix galaxy, settled in the fifty-eighth segment of time." Tellurian was Eric Saward's word for humans, first used in The Visitation. The Ark occurred in the fifty-seventh segment of time.
Pg 95 "She considered using the sonic screwdriver to pick the lock of the cell." We saw Romana's sonic device in The Horns of Nimon.
Pg 96 "She and the Doctor had encountered him not so long ago in their own relative time-stream, during an encounter with the villainous Xais in the twenty-third century." The Romance of Crime. Gloriously, this continuity reference is actually given a footnote, pointing the diligent reader in the right direction to catch up on the back-story. Can you imagine if they did this every time there was a continuity reference? The Quantum Archangel would be nearly three times its current length. For which no one would be thanked.
Pg 97 Reference to Spiggot, again from The Romance of Crime.
Pg 98 Menlove Stokes ends up at the end of the universe: "It's a beautiful place. A utopia." Hmmm: a utopia at the end of the universe which seems wonderful. That sounds familiar. (If in doubt, see Utopia.)
Pg 122 "I'm an old hand with webs." The Web Planet, The Web of Fear, Planet of the Spiders.
Pg 124 "Stokes made a fist and slammed it against the wall, which wobbled." Almost as if this was made at the end of Season 17, when there was no money left.
Pg 130 "My men and I claim descent from the lines of Nazmir and Talifar." The former is used as a kind of swear word or oath in The Highest Science.
Pg 131 "He threatened you with the Web? Stupid boy." This is a (rather silly) reference to Dad's Army, which was itself referenced in No Future.
Pg 140 "She dismissed the thought, as she dismissed all thoughts of returning home nowadays." Again, predicting what would happen in Meglos. There's another reference to the Humanian era from the Telemovie on this page as well.
Pg 142 "But Gallifrey is gone." This story is set in the far future, and Virgin postulated that Gallifrey was in the far past. It might make sense that the reason the far future is prohibited to Time Lords (as in Frontios) is precisely because Gallifrey is gone. It would also be quite nice to tie this into the Time War and to note that, once that's happened in the new series, the Doctor frequently heads this far into the future.
"It well remembered its attempts to sneak into the wastes of the vortex, all of them thwarted by the defences erected by those miserable, thin-blooded, infertile, self-crowned gods, the Time Lords." All pretty fair. The reference to them being infertile is from Cat's Cradle: Time's Crucible and Lungbarrow, and is kind of contradicted in Cold Fusion.
Pg 168 "The last time we met, as I recall, he brought precious little peace." The Romance of Crime.
Pg 169 "He pulled out a pamphlet and started to read. Its title was So You're Caught in a Rocket Attack." A homage to probably the silliest bit (against some stiff competition) in Destiny of the Daleks.
Pg 170 "Our boys on Barclow are risking their lives to save all of ours, to protect a way of life that allows Mr K9 to pontificate in his unusual manner." The use of a war to win an election was probably, at the time of writing, a reference to the Falklands, but is horribly prescient of the Iraq War.
Pg 186 "'It started off as a protest.' 'Most things do.'" The Doctor's departure from Gallifrey, as seen in Lungbarrow.
Pg 187 "'What time do you make it?' 'Er, about ten billion AD.'" This fits almost precisely with the timelines in the new series, especially The End of the World.
Pg 195 "We fled the Time Fleets." Sounds like the Time War.
Pg 236 "Retrieve data from our last encounter with Mr Stokes, on the Rock of Judgement." The Romance of Crime.
Pg 252 "Like trying to close the Eye with a finklegruber." The Eye of Harmony from The Deadly Assassin et al. A finklegruber was mentioned in The Invasion of Time.
Pg 259 "Until his hand closed around an oddly shaped chunk of clear crystal." Stokes' means of communication with the Black Guardian resembles Turlough's in Mawdryn Undead etc.
Pg 260 "History hangs in the balance out here, remember?" The Doctor and Romana have travelled further forward in time than they should have done, as in Frontios.
Pg 267 "Heat death would lead to levels of chaos and decay imperceptible to the lived experience of any creature, however long-lived." Predicts Logopolis.
Pg 272 "Professor of Applied Arts at St Oscar's University, planet Dellah." This is how the MAs tied into the Bernice NAs, as Stokes ends up in them.
Pg 277 The chapter title is "The Official End of It All", which is a reference to the fact that this is the final MA and the last book to be published by Virgin.
Pg 281 "The voice had delivered what it had promised: a lengthy, untroubled early retirement, thanks to a convenient time storm that had whipped him and his men here from their rightful place thousands of years before." Dragonfire and The Curse of Fenric.
Pg 282 "Doors are an irrelevance to some people." A vague reference to The Ribos Operation.
Pg 284 "The Key to Time. The same substance." The Ribos Operation through The Armaggedon Factor.
Pg 288 "I was at your side when you fought the wizard of Avalon, when you united the Rhumon and the Menoptera against the Animus, when you brought down Lady Ruath and her vampire hordes and when you fought the Timewyrm on the surface of the moon." Probably Battlefield, The Web Planet, Goth Opera (thus linking to the first MA) and Blood Harvest and, finally, Timewyrm: Revelation (thus linking to the series that opened the NAs).
Pg 292 "'The emergency unit,' she exclaimed. 'You won't use that.'" The Mind Robber.
Pg 293 "Once I ended up in the fictional realm. I suppose it wasn't such a bad place." The Mind Robber again.
"The lighting returned to normal. It could have been another ordinary day in the TARDIS, ready to begin another adventure." Lovely.
Final reference to Daleks, Cybermen and Sontarans.
OLD FRIENDS AND OLD ENEMIES
Menlove Stokes, from The Romance of Crime.
The Black Guardian from The Armageddon Factor, who'll also pop up again later. In the audio version, he's played by David Troughton, which is another continuity reference, albeit of a rather different type.
NEW FRIENDS AND NEW ENEMIES
Humans: Premier Harmock, Cadinot, Hammerschmidt, Codie, Teer, Pallis, Fritchoff.
The Femdroids: Galatea.
CONTINUITY COCK-UPS
- Back Cover "Barclow - an Earth-type planet on the fringes of space." Except it's not, even slightly. Barclow is about 400 miles in diameter, has no life other than that which has arrived, only supports said life on the equator anyway and is, basically, a barren, empty rock. It's about as far from Earth-like as the Moon. Metralubit, by comparison, is pretty Earth-like. Someone got confused.
- "But in nearly two hundred years of conflict not one shot has been fired in anger." In the novel itself, it's 125 years. I am, at the time of writing, 41 years old. I would not describe myself as nearly 100.
- Pg 16 "Romana looked down at her new outfit. She had chosen a red velvet smoking jacket and a frilled shirt with a bow tie, which she had found discarded on a hanger in the wardrobe room." Romana, as played by the comparatively diminutive Lalla Ward, apparently fits the clothes of the not-at-all diminutive Jon Pertwee.
- Pg 109 "It was only now he noticed that Viddeas wasn't sweating." And, indeed, he hasn't been. Except on pg 95, where Romana notes that "his uniform jacket was soaked with perspiration".
- Pg 153 "Intelligence levels among the manual labourers are low because of your policy of decreasing funds for public education." Yes, we get the satire, but it doesn't quite work like that. Knowledge and contextual understanding would be low, and ability to apply intelligence would be similarly affected, but actual intelligence would not.
- Pg 269 "INFORMATION SYSTEM: READY FOR ENTRY." Except, in a few stories time, in Castrovalva, it's called the INDEX FILE.
PLUGGING THE HOLES [Fan-wank theorizing of how to fix continuity cock-ups]
- Poetic explanation: Barclow is being fought over; in order to win hearts and minds, its qualities are being exaggerated. Prosaic explanation: As the license from the BBC collapsed, the last NAs and MAs were rushed into production, thus the lead time from Roberts writing the back cover to completing the book meant that he probably wrote the back cover before even the beginning of the prologue. Things change. (See also the back cover of The Sword of Forever.)
- Poetic explanation: It's another exaggeration for propaganda reasons. Prosaic explanation: makes no sense. You can understand Roberts redesigning a world for the plot to make sense (and an Earth-type world wouldn't have done), but changing the length of time is most odd, since it makes no difference.
- The TARDIS wardrobe room clearly adjusts clothes to fit the wearer. Otherwise there's no way that the seventh Doctor would have fitted the fourth's costume in Time and the Rani.
- Viddeas being dead is having a variety of different effects on him. At the point Romana sees him, his cooling body is attracting condensation.
- None of it's true anyway, and Harmock would believe anything that he's told.
- Actually, this explains why it's so difficult to find in Castrovalva: the Doctor, appalled by how easily Stokes accessed his own biography, made it much harder to access.
FEATURED ALIEN RACES
Chelonians, who are actually quite nice, this time around.
The Femdroids, who aren't technically alien, but kind of qualify. They're based on K9, but are somewhat sexier, unless you have a metal dog fetish.
The Darkness, a composite being made of evolved flies, who meander through space looking for feeding grounds. They are not particularly pleasant.
FEATURED LOCATIONS
The (pretty worthless) planet Barclow (which is also a bomb).
The (rather pretty) planet Metralubit (which is also a lie). It's in the Metra System and its capital city is Metron (which is not desperately imaginative).
The Time Spiral (pretty dangerous).
The (not at all pretty) interior of the Darkness (which is unpleasant).
Briefly, Dellah, 2593 (which is pretty wet).
IN SUMMARY - Anthony Wilson
Simply stunning. The plot is marvellous, intricately detailed and quite brilliant. The characters are very clever, the jokes work marvellously, the combination of Hinchcliffe horror and Williams humour masterful, and the series of twists at the end are stunning. In this, the final Missing Adventure, the line finally reached the peaks of the complexity, style and wonder of the NAs. And I can't think of a higher compliment to pay than that.